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Equipping Your Home Recording Studio - A free download from Audio Masterclass

An Introduction to Equalization - A free download from Audio Masterclass

An Introduction to Compression: Basic Compression - A free download from Audio Masterclass

What would happen if a spider got into your microphone?

The importance of managing configurations and preferences in professional work

Your mix sounds good in your car. But does it sound good in ANY car?

Can an electric guitar virtual instrument ever sound like a real electric guitar?

The new Apple HomePod smart speaker - what difference will it make to your mixing and mastering?

Is there such a thing as Photoshopped audio?

What should you fix before you mix?

New monitors? Now you need to tune in your ears.

Why your new monitors should make your mix sound bad

Can you hear the subtle effect of the knee control of the compressor? (With audio and video demonstrations)

This one simple mistake will lose you a third of your songwriting royalties - with video

Avid and Apple conspire to heist 9 decibels of level

How to record or amplify the melodica or any unfamiliar instrument

The difference between minimum-phase and linear-phase EQ on transient signals such as snare drum

Is your audio interface fast enough?

Does inverting the phase of one channel of a stereo signal always sound bad?

Why mono is better than stereo for recording vocals and dialogue

How much difference does mastering really make? [with audio]

What exactly does the phrase 'leave headroom for mastering' mean?

Do some microphones respond to EQ better than others?

Latest Record Producer News and Comment...

This voice over studio looks like something out of Monty Python

Things might look a little rough and ready in this studio, but what does that matter if the end-product is good?

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Do some microphones respond to EQ better than others? The new battlefield in the loudness war? The professional way to make sure your mics are connected correctly Setting the gain control on your audio interface for recording Setting a noise gate for a bass guitar with amplifier noise Visualizing stereo information using Lissajous figures Three types of musician you'll prefer to work with in the studio, and one type that you won't The Making of a CD - FREE DOWNLOAD How to find the best tempo (BPM) for your recording Why choosing a key for your song is one of the most important aspects of preparation for production and recording

7 important microphone types that you should know and the benefits of each

The 10 rules of pan

An investigation of the pre-delay parameter of the Lexicon 480L reverb plug-in

Develop your DAW skills by making a ringtone using edits and crossfades

Create an amazing trance riser in 7 steps

Exploring the MASSIVE headroom in your DAW

Should you make decisions as you record, or keep your options open until later?

Mix 'All Or Nothing' by Fools Faith (Informational Course)

Mix 'All Or Nothing' by Fools Faith (Assessed Course)

The Audio Masterclass Course in Reverb and Effects (Assessed Course)

The Audio Masterclass Course in Mastering (Assessed Course)

The Audio Masterclass Course in Mixing (Assessed Course)

The Audio Masterclass Course in Compression (Assessed Course)

The Audio Masterclass Course in Equalization (Assessed Course)

The Audio Masterclass Music Production and Sound Engineering Course (Assessed Course)

Demonstrating the Waves J37 analog tape emulation plug-in and comparison with a real tape recorder

Two microphone preamplifiers compared at Abbey Road Studio 2 - tube and transistor

Recordings of speech by newly-starting Audio Masterclass students

Recordings of acoustic guitar by Audio Masterclass students

A simple 8-mic drum mix, with video