An RP reader asks whether freezing tracks that use plug-ins is bad for your hard disk? Would it be better to bounce them?
Follow RecordProducer.com on Twitter...
Here's a question from an RP reader...
"Actually, this is a response to your article about using as many plug-ins as you like. I'd heard about using this function in Logic. Experienced producers have said to me that this technique is extremely bad for the internal hard drive. The drive has to work that much harder that it won't last very long. I think that Ableton also has a freeze function. I have been advised to actually bounce the tracks instead of freezing them. Does anyone agree?"
Thanks, John, Amsterdam, Holland.
First let's recap on the freezing technique...
Imagine you have a song that uses loads of software instruments and plug-ins. You try to add another plug-in, but your computer is already working to its maximum so everything grinds to a halt. Some DAWs have a function where you can 'freeze' a track, which records the audio on that track to disk, complete with all effects, so that the system doesn't have to run the instrument or plug-ins on that track. You can unfreeze if you need to later on.
Freezing can allow you to get more from your system, but apparently it's bad for the hard disk. Can this be true?
Well we would have to say that only a well-conducted test would give a reliable answer to this. But we can certainly speculate what the outcome would be.
Let's think about what the hard disk is doing when you play your song...
Your song consists of a number of audio files playing simultaneously. Each file could be a continuous string of binary digits on the disk. However since all the files have to play at the same time, the heads of the disk drive have to skip about to pick up a bit of one track, a bit of another etc.
This is absolutely normal behavior for a hard disk. It's what you bought it for.
If you are playing by the rules and reserve a separate disk for audio, then software instruments and plug-ins don't affect that disk at all. They run from the system disk, and in fact hardly make any demands on that since they are loaded into the computer's memory.
But what if you freeze a track, what difference does that make to your audio disk?
Well, since freezing a track means recording it to disk complete with instrument and/or plug-ins, there's another track on the disk that needs to be played.
In theory, this should mean that the original track does not now need to be played, but you will find that in some DAWs even muted tracks consume system resources. Still, it's only one more track and this will hardly make any difference unless you really have a lot of tracks in your song.
So freezing shouldn't give the hard disk much more work to do, if any. What about bouncing?
Well bouncing is what you would have to do if your DAW didn't have a freeze function. And once you had bounced a track complete with instrument and/or plug-ins, it wouldn't be any different to if you had frozen it.
So our opinion is that neither freezing nor bouncing will affect the disk in any significant way.
What will affect your disk however is editing...
When you edit a track, you create a discontinuity in the data and the heads of the disk will have to skip about more than they did previously.
If you edit many tracks into a lot of short segments and shuffle them about, then the disk will have much more work to do.
Even so, that's what a hard disk is designed for. It is difficult to overload a hard disk with work because the manufacturer would have to be pretty stupid to allow that to happen. The disk will simply reach its maximum work rate then go no faster.
All that skipping about of the heads could shorten the life of the disk, but disks are cheap these days and as long as you have a backup or your data, it doesn't really matter if you have the occasional failure, say once every few months or so.
But...
Different people have different experiences. It is quite possible that we have overlooked something that is affecting the disk in an unexpected way.
We would love to hear your thoughts on whether the way you use your DAW can stress or damage the hard disk. Discussion below...
Publication date Thursday February 04, 2010
Discussion on this article's topic...
Friday March 26, 2010
Thursday February 04, 2010
Monday February 01, 2010
Monday February 01, 2010
UPDATE - Posting of comments has been disabled. RecordProducer.com has been targeted by a botnet posting spam comments. The facility to post comments will return when this problem has been resolved.
We welcome your addition to the discussion on the topic of this article. If you feel that the article is inaccurate in any way, please let us know by e-mail at . We read all messages sent to this address but we cannot promise a reply.
![]() |
Jamhub is a totally new concept - a rehearsal amp for the whole band. RecordProducer.com asks inventor Steve Skillings all about Jamhub - what it does, where the idea came from, and why you should want one. (There's a prize too!) Read more... |
![]() |
Sometimes the sound of the electric guitar doesn't quite cut it. But there are ways you can make the guitar sound like more than it is. Much more... Read more... |
![]() |
A good manager is hard to find. But why do you need one in the first place? And where are you going to look? Read more... |
![]() |
Still struggling to get a good sound in your home recording studio? Perhaps a visit to a pro studio would fix all your problems. Read more... |
![]() |
When super-accurate capacitor microphones are available, why do we cling to the past and still often use dynamic mics? Shouldn't we be moving on? Read more... |
![]() |
This is a tricky concept to explain and understand. But once you do understand it you'll feel an awful lot better. In fact, you'll probably feel so good you will consider yourself one of the 'elite' of sound engineering and look down upon lesser mortals who do not understand it... Read more... |
![]() |
If you don't back up your data, then you are headed for sure and certain disaster. It's a question of 'when?', not 'if?' Read more... |
![]() |
If your microphone sizzles like a frying pan full of eggs, bacon and sausages, clearly there is a problem to be solved. Read more... |
![]() |
It's not every day we get a new Prime Minister in the UK. And for a Prime Minister to talk directly to RecordProducer.com, well that must be really special! Read more... |
![]() |
You'll never get a good recording of a drum set if the cymbals sound bad. But how you be sure to get a perfect cymbal sound every time? Read more... |
![]() |
The food you eat is mostly factory farmed - grown in chemicals manufactured in a chemical works. But is your music 'factory farmed' too, and does it sound like it? Read more... |
![]() |
Mike Leader of Leader Cinema systems, manufacturers of world class large-scale systems for both music industry and motion picture industry professionals, tells you more about subwoofers than you thought you could possibly want to know... Read more... |
![]() |
A record label specializing in high quality audio charges $$$ for its tracks. But will you get good value for your money? Read more... |
![]() |
Why do we still plug our microphones into old-fashioned mic preamplifiers when we could be plugging them in directly via USB? Read more... |
![]() |
In the triangle of lyricist-composer-producer, various copyrights are generated on which royalties are payable. But who gets the lion's share? Read more... |
![]() |
An RP reader wishes to improve the sound he gets from his microphone. Is this possible, or does he need a better mic? Read more... |
![]() |
We're all for cutting costs where it doesn't compromise performance, but can office dividers do a good job in the recording studio? Read more... |
![]() |
A throwaway line in a mid-song flute solo has cost the writers of 'Down Under' dearly. A court judgment means they must now hand over their royalties. But there's good news too... Read more... |
![]() |
If you never have problems with your DAW, you're in a tiny minority. But using the right DAW could make life much easier. Read more... |
![]() |
Chopping up beats from pre-existing drum loops has long been a standard part of the production process. But can you be a Beat Slicer for a living? Read more... |