Pro Tools is considered by many to be the king of digital audio workstation software. But it might soon be time for someone else to wear the crown. Here's why...
As Roger Waters of Pink Floyd once said, "It doesn't have to be loud. We just like it loud." Well, some people would like it even louder. Is this possible?
You spent a week recording your best and finest track. It took a year to get a label to accept it. But they want a remix and your multitrack won't play. What do you do?
An RP reader asks whether he can record on his workstation and then export tracks to his computer for editing and mixing. Why would he want to do that...?
You Could Be Making PRO Recordings In Your Home Recording Studio...
Music Production and Sound Engineering Online Course.
Turn your home recordings into
PRO recordings in just 12 weeks.
Sign up now for the FREE COURSE TOUR!
Four Exotic Microphones on Acoustic Guitar
Three tube mics, one ribbon mic compared on acoustic guitar. From the super-low-cost CAD M9 and Golden Age Project TC1 all the way up to the mega-expensive Telefunken ELA M12F. These tests show, in audio and video, exactly how these mics sound on a Martin OM-21 acoustic guitar in a variety of positions. Instantly downloadable. Four Exotic Microphones on Acoustic Guitar
Pro Engineer School Vol. 1
The renowned Audio Masterclass Sound Engineering and Music Recording course in two e-books. Learn audio to professional standards. Maximize your chances in your studio job interview. Vol. 1 Pro Engineer School Vol. 1
The Chilli Gold Microphone Test at Abbey Road Studio 3
Hear nine classic microphones on female vocal, recorded in studio master quality at Abbey Road Studio 3. The tests include TWO classic tube Neumann U47 and TWO classic tube AKG C12 mics, plus five other mics you NEED to know. PLUS video recordings of all of the tests. The Chilli Gold Microphone Test at Abbey Road Studio 3
Line Array Loudspeaker Systems
"Line Array Loudspeaker Systems" shows you how the most popular loudspeaker system for pro live sound works. You will learn why the line array is better than any other loudspeaker system for almost any type of venue; the technology and science of line arrays; how to work with line array loudspeaker systems for live sound in practice. Line Array Loudspeaker Systems
Four Classic Compressors Compared on Female Vocal
The Fairchild 660, Neve 33609, Teletronix LA-2A and the Universal Audio 1176 - reputedly the best compressors in the world. Hear them all on female vocal recorded at Abbey Road Studio 3. Who knows... The Beatles might have used some of these compressors in their heyday. Audio and video Multimedia Set™. Four Classic Compressors Compared on Female Vocal
An Introduction to Live Sound Monitoring
If you play in a band, or work in live sound, you need to understand stage monitoring. There's nothing that makes more difference to getting a good performance than getting the monitors right. It isn't easy, but this e-Learning Module shows you how! For your house of worship too. An Introduction to Live Sound Monitoring
The Anna Neale Microphone Preamplifier Test at Abbey Road Studio 3
Hear five amazing mic preamps on female vocal, recorded in studio master quality at Abbey Road Studio 3. The tests include the Avalon M5 (Wow!), Universal Audio vacuum tube Solo/610 and the $50 Behringer MIC100. Can you hear the difference? PLUS video recordings of all of the tests. The Anna Neale Microphone Preamplifier Test at Abbey Road Studio 3
Using Headset Microphones On Stage
You don't have to use a stand-mounted microphone on stage. You can enjoy the freedom of a headset mic and get really great contact with the audience. Learn the advantages, and the potential problems, here. Using Headset Microphones On Stage
The Steve Lyon Record Producer Interview Video
Steve Lyon's productions have sold in their millions. He has more than twenty years' experience in recording and production. He learned from legendary producer Glyn Johns. Now, in this 60-minute video interview, Steve Lyon reveals his production secrets. The Steve Lyon Record Producer Interview Video
The Craig Neil Microphone Test at Abbey Road Studio 2
Ten great microphones tested in this audio and video Multimedia Set. Includes the AEA A440 active ribbon microphone, AEA R84 ribbon, STC (Coles) 4038 ribbon, RCA 44-BX vintage ribbon, Beyerdynamic M160 ribbon, Neumann U47 vintage tube, AKG C12 vintage tube, Bruel & Kjaer 4011 capacitor, Blue Baby Bottle capacitor, Violet Design Flamingo vacuum tube. The Craig Neil Microphone Test at Abbey Road Studio 2
The Guy Barzily Microphone Test at Abbey Road Studio 2
Hear ten PRO microphones on male vocal, recorded in studio master quality at Abbey Road Studio 2. The tests include the ultra-classic RCA 44BX 'Elvis' ribbon mic, the equally classic AKG C12 vintage tube, plus eight other mics you NEED to know. PLUS video recordings of all of the tests in this Multimedia Set™. Mic list: AEA A440, AEA R84, AKG C12, Beyerdynamic M160, Blue Baby Bottle, Bruel & Kjaer (DPA) 4011, Neumann U47, RCA 44BX, STC (Coles) 4038, Violet Design Flamingo The Guy Barzily Microphone Test at Abbey Road Studio 2
The Hidden Compressor
"The Hidden Compressor" is an advanced e-learning text, so you need to know all the basics of compression already. "The Hidden Compressor" covers advanced techniques that have not been seen explained by anyone else in print or on the web. If you want to get more out of your compressor, you'll find you didn't know that the compressor you have already could do so much. "The Hidden Compressor" includes information on recommended compressors at all price levels, from home studio to pro. The Hidden Compressor
The Insider's Guide to Working in a Pro Recording Studio
Have you ever wondered what it's like to work in a PRO recording studio? Now you can find out what it's like to start at the bottom, and work your way up to Recording Engineer and Producer. Don't you wish you could do that? The Insider's Guide to Working in a Pro Recording Studio
Music Technology School
Music Technology equipment is complex and puzzling. But not if you understand foundation knowledge such as Additive Synthesis, Subtractive Synthesis, FM Synthesis, MIDI, Sampling and Sequencing. Music Technology School
Class D Power Amplification
"Class D Power Amplification" starts by explaining how conventional power amplifiers work, including Class A, Class B, Class AB and Class C. It goes on to show how and why Class D power amplifiers are smaller, lighter and more efficient than conventional types. It also goes on to explain Class G and Class H. Essential reading for the live sound engineer. Class D Power Amplification
