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An Introduction to Equalization - A free download from Audio Masterclass

Equipping Your Home Recording Studio - A free download from Audio Masterclass

An Introduction to Compression: Basic Compression - A free download from Audio Masterclass

Why have a pair of speakers when you can have a quad (literally)?

Your mix sounds good in your car. But does it sound good in ANY car?

Recording acoustic guitar in stereo - should you use spaced or coincident mics?

How to compress a bass guitar that varies in level

When is a click not a click? When should you fix a click, and when should you leave it alone?

Why mono is better than stereo for recording vocals and dialogue

Look in the mirror - are you your own worst enemy?

How much should you charge for your audio services?

Make your recordings richer with double tracking

The best tape recorder in the world is for sale!

"How many songs should I put on my CD?"

An RP visitor plans a CD, but doesn't know how many songs to put on it. Is this a case of 'less is more'?

Question from a Audio Masterclass visitor...

"How would I know what songs to put on my first CD? How many titles should I have on it? I see most of them start with ten or twelve but I can't figure out what ones to put? Only two that I wrote should be on it."

The first thing we need to know is what is the purpose of the CD? Is it a demo CD, or is it for commercial release?

For a demo CD, there are two possible answers to this question - there should be three songs, or just one.

For a demo CD, three songs is always enough. You can show your range of abilities, and hopefully excite whoever is listening to want to find out more about you. If you have more than three songs, you might easily bore them right from the outset.

Always, by the way, put your very best song first. And trim the introduction right down so the song starts straight away on the best part. You might even consider putting the chorus first.

If you write your own material, and you have a really, really good song - one that shows hit potential straight away - then it's best just to use this one song as a demo. If it really is that good, you could be signed on the basis of that alone.

If it is a commercial CD, then you have other concerns.

First and foremost, you should get YOUR songs on the CD. Not your best friend's, not those written by other band members. YOUR songs.

Why?

Because ultimately that's how you will make money. Even if your band had a rogue manager who siphoned off all your earnings, you would still get your song royalties for the rest of your life, and beyond.

That's why band members always argue. They want their songs to be the ones on the CD.

So, how many songs?

Personally I don't think a CD should ever last more than forty-five minutes. Except for compilations and classical music.

However, many CDs do. So you should look at CDs that are in the same genre as your music. If that's what the market is buying, clearly that's what the market wants.

There is an interesting question about the ordering of the songs...

Should you order the songs so that you take the listener on a fascinating musical journey, maybe leaving the best to last?

Or should you put all of your best songs right at the start of the CD?

Although the former option is perhaps artistically preferable, the latter will lead to more sales. People listen to the first few tracks, then their attention switches off.

Next, you'll have to think about crossfades. Another time...

By David Mellor Thursday November 30, 2006