David Mellor's RecordProducer.com - From Home Recording Studio to PRO Recording Studio
 
Next article: Should the slope of your filter be 6, 12, 18 or 24 dB per octave?...

Isn't it time you tried a REALLY different microphone?

You've tried all the usual microphones and are tired of their sound? Why not try something that is really over the edge...

Follow RecordProducer.com on Twitter...

If you're into microphones then you might have noticed that there is a certain 'sameyness' about the standard models.

You might choose to use a dynamic mic, a ribbon, a small- or large-diaphragm capacitor, or a tube mic, maybe even a vintage model.

Each type of mic has its own characteristic sound, but within types they sound quite similar. Yes there are differences between large-diaphragm capacitor mics, for instance, but they are not huge differences, like the differences between mic types.

So to get a sound that is really different, perhaps it would be an idea to choose a mic that stands out from the crowd.

And of course we have an example - the Coles 4104 commentator's lip mic. We saw this example in this eBay auction (bear in mind that this page on eBay will be removed at some point after the auction closes). At the time of writing, the auction is still open so you could buy this very one. Here are some more tasty photos...

Coles 4104

Coles 4104

Coles 4104

Coles 4104

Coles 4104

By the way, we don't have any connection with the seller other than we asked his permission to use the photos. The auction closes (or closed, depending on when you read this) on October 19, 2008.

The Coles 4104 is a noise-canceling microphone. It subtracts sound arriving from a distance while leaving sound immediately in front of the microphone untouched.

This makes it ideal as a sports commentator's mic, where there is likely to be a lot of background noise. The mic is held with the upper guard piece touching your top lip. This makes it a no-brainer for a non-technical person to use the mic.

You could try noise canceling for yourself with two directional microphones - place them back to back and flip the phase of the rear mic. Speak into the front mic from a close distance. Since background noise arrives at both mics more or less equally, flipping the phase of the rear mic makes it cancel out to a significant degree. But since the sound of your voice is much stronger in the front mic, it hardly cancels at all.

But the Coles 4104 has another trick - it is very good at handling the pops and breath noise that you get when a mic is used close to the mouth. It's a design that other manufacturers might consider taking a look at.

Oh, and there's one more feature - this mic is insensitive at the sides. This means that two commentators can sit next to each other and leakage will be minimal.

You have already heard this mic on many occasions on TV. Even beyond the realms of sport it is useful for outside broadcasting in general.

As well as its useful features for its intended purpose, this mic has a characteristic sound all of its own. You won't find another microphone that sounds like it.

The sound is amazingly clean considering how close to the mouth it is used. You couldn't say that it is an accurate sound, but it's something that could be used in many contexts as a contrast to the standard mic sound.

There's another use for it in live sound - you know that you occasionally hear a song that features a distorted vocal, either all the way through or in segments? (Can we blame John Lennon for starting that?).

Well if you use a distortion effect on stage you will find that the high gain involved increases the risk of feedback significantly.

But if you use the Coles 4104 for this purpose, then since it rejects the sound coming from the speakers, it is very robust against feedback.

In summary, this mic is excellent for its intended purpose. But it also has an interesting sound that might find a place in your studio, or perhaps even live.

As they say on eBay - Happy Bidding!


Note: This auction is now closed. The winning bid was £217 UK pounds.

Publication date Sunday March 22, 2009

Bookmark and Share
Next article: Should the slope of your filter be 6, 12, 18 or 24 dB per octave?...

 

Enter your e-mail address to receive notifications of new comments on this topic...
(You can unsubscribe quickly and easily.)

Follow RecordProducer.com on Twitter...

Discussion on this article's topic...

 

There is no discussion on this topic yet. You could be the first!

 


UPDATE - Posting of comments has been disabled. RecordProducer.com has been targeted by a botnet posting spam comments. The facility to post comments will return when this problem has been resolved.

We welcome your addition to the discussion on the topic of this article. If you feel that the article is inaccurate in any way, please let us know by e-mail at . We read all messages sent to this address but we cannot promise a reply.

Your name:

Your e-mail address (will not be published):

Your town:

Your country:

Share your comments on this topic...

RecordProducer.com reserves the right to select readers' comments for publication.


So your band has a website. That is so 2009! Why not get the new decade started with an iPhone app that showcases your talent to the (iPhone) world? Read more...
What is it about your studio that makes it look and feel like a recording studio, and a nice place to work? Or is it just another room in your house? Read more...
Amplifiers can be either symmetrical or asymmetrical. A symmetrical amplifier has both positive and negative power supply rails and the signal rises and falls centered on the 0 volts point exactly in between. An asymmetrical amplifier has only one power supply rail and the signal is biased to a voltage midway between zero volts and the power supply voltage... Read more...
If your drum reverbs are hanging around too long, they could be confusing your sound. How long should a drum reverb last? Read more...
Jamhub is a totally new concept - a rehearsal amp for the whole band. RecordProducer.com asks inventor Steve Skillings all about Jamhub - what it does, where the idea came from, and why you should want one. (There's a prize too!) Read more...
The range of great home recording equipment available these days is truly superb. But occasionally we all buy something that just wasn't worth the money. What's your experience? Read more...
Mike Leader of Leader Cinema systems, manufacturers of world class large-scale systems for both music industry and motion picture industry professionals, tells you more about subwoofers than you thought you could possibly want to know... Read more...
As Roger Waters of Pink Floyd once said, "It doesn't have to be loud. We just like it loud." Well, some people would like it even louder. Is this possible? Read more...
Popular music is here today, gone tomorrow. Each new recording gets more and more stale as time goes by, where classical music can always remain fresh and new. Read more...
Delay is one of the simplest yet (currently) under-appreciated effects available. But how do you work out the correct settings? Read more...
Do music business lawyers always know what they are doing? Or could they ask you to sign a contract that would not stand up in court? Read more...
Do you always connect your effects pedals between your guitar and amplifier. Wow, that's just so retro! Read more...
Do you still use DAT? CD recorders? Outboard effects units? Come on and admit it - you're a dinosaur! Read more...
There are more audio formats than you could possibly shake a stick at. But could you find a use for FLAC in your recording process? We think you could. Read more...
An RP reader wishes to improve the sound he gets from his microphone. Is this possible, or does he need a better mic? Read more...
An RP visitor asks how he would record a symphony orchestra. Does it need sixty microphones? Or could you do it with two? Read more...
Love it or hate it, the sound of the vuvuzela is an intrinsic feature of the FIFA World Cup in South Africa. So what if you hate it? Read more...
A good drummer is worth his or her weight in platinum. But how can you know for sure just how good they are? Read more...
Some things about Apple's iPad are great. Some things are, er, missing. But how useful is it in the studio right now? Read more...
Having trouble with your recordings? It could be that your preamp simply doesn't have enough frequencies! Read more...
You Could Be Making PRO Recordings In Your Home Recording Studio...
The Audio Masterclass Music Production and Sound Engineering Course
Music Production and Sound Engineering Online Course. Turn your home recordings into PRO recordings in just 12 weeks.
Sign up now for the FREE COURSE TOUR!

We will not disclose your personal information. You can unsubscribe quickly and easily at any time.

An Introduction to Equalization
An Introduction to Equalization
"An Introduction to Equalization" shows you the science, technology and art of EQ. From filters through tone controls to full SSL-style console EQ, "An Introduction to Equalization" explains all of the foundation knowledge you need to know. Covers recording studio EQ techniques, and the important differences in live sound. If you don't know the material covered by "An Introduction to Equalization", then you simply don't know EQ. An Introduction to Equalization
Pro Engineer School Vol. 1
Pro Engineer School Vol. 1
The renowned Audio Masterclass Sound Engineering and Music Recording course in two e-books. Learn audio to professional standards. Maximize your chances in your studio job interview. Vol. 1 Pro Engineer School Vol. 1
Hands On: The Neumann U87 Large-Diaphragm Condenser Microphone
Hands On: The Neumann U87 Large-Diaphragm Condenser Microphone
The Neumann U87 is the world's most popular microphone - certainly the most desired. Find out exactly what it's like to get your hands on one and use it to its full potential in Hands On: The Neumann U87 Large-Diaphragm Condenser Microphone Hands On: The Neumann U87 Large-Diaphragm Condenser Microphone
Four Classic Compressors Compared on Female Vocal
Four Classic Compressors Compared on Female Vocal
The Fairchild 660, Neve 33609, Teletronix LA-2A and the Universal Audio 1176 - reputedly the best compressors in the world. Hear them all on female vocal recorded at Abbey Road Studio 3. Who knows... The Beatles might have used some of these compressors in their heyday. Audio and video Multimedia Set™. Four Classic Compressors Compared on Female Vocal
The Nicola Dines Microphone and Preamplifier Test at Abbey Road Studio 2
The Nicola Dines Microphone and Preamplifier Test at Abbey Road Studio 2
Three amazing microphones and two amazing preamplifiers tested at Abbey Road Studio 2. This Multimedia Set™ includes the original Studio Master recordings, 48 kHz and AAC versions for easier downloading, videos in both high and medium resolution, and session notes. You will see and hear clearly the differences between the three microphones and two preamplifiers. Also, each preamplifer is demonstrated in two settings, giving further examples of how they can sound. The Nicola Dines Microphone and Preamplifier Test at Abbey Road Studio 2
Microphone Polar Patterns and Stereo Configurations
Microphone Polar Patterns and Stereo Configurations
Microphone polar patterns and basic stereo configurations are fundamental to audio. Many people have read about them, but few have tested them for themselves. Here, you can hear and see all the basic patterns and stereo configurations recorded at Abbey Road Studio 2. Microphone Polar Patterns and Stereo Configurations
Music Technology School
Music Technology School
Music Technology equipment is complex and puzzling. But not if you understand foundation knowledge such as Additive Synthesis, Subtractive Synthesis, FM Synthesis, MIDI, Sampling and Sequencing. Music Technology School
The Joe Clancy Drum Recordings at Abbey Road Studio 3
The Joe Clancy Drum Recordings at Abbey Road Studio 3
See and hear five important drum recording microphone configurations at Abbey Road Studio 3. Includes 'Studio Master' audio files and a video of the entire session. Includes the famous 'Glyn Johns' 4-mic technique - not to be missed. The Joe Clancy Drum Recordings at Abbey Road Studio 3
The Clyde Meredith Microphone Test at Abbey Road Studio 2
The Clyde Meredith Microphone Test at Abbey Road Studio 2
Hear ten PRO microphones on male vocal, recorded in studio master quality at Abbey Road Studio 2. The tests include the classic tube Neumann U47, the equally classic STC (Coles) 4038, plus eight other mics you NEED to know. PLUS video recordings of all of the tests in this Multimedia Set™. The Clyde Meredith Microphone Test at Abbey Road Studio 2
Equipping Your Home Recording Studio
Equipping Your Home Recording Studio
Choose the right equipment, and you can make pro-quality recordings right from the start - even with a basic setup. Choose the wrong equipment and you may spend years sorting out a studio setup that is right for you. And all the time you spend doing that, you could have been recording. Equipping Your Home Recording Studio
The Chilli Gold Microphone Test at Abbey Road Studio 3
The Chilli Gold Microphone Test at Abbey Road Studio 3
Hear nine classic microphones on female vocal, recorded in studio master quality at Abbey Road Studio 3. The tests include TWO classic tube Neumann U47 and TWO classic tube AKG C12 mics, plus five other mics you NEED to know. PLUS video recordings of all of the tests. The Chilli Gold Microphone Test at Abbey Road Studio 3
Electric Guitar Recording Techniques
Electric Guitar Recording Techniques
Hear and see electric guitar recording techniques in this AUDIO and VIDEO Multimedia Set™. Recorded in Abbey Road Studio 3, this Multimedia Set™ features eleven techniques that you can experience in video, or load into your digital audio workstation and mix yourself. Electric Guitar Recording Techniques
An Introduction to Compression: Basic Compression
An Introduction to Compression: Basic Compression
"An Introduction to Compression: Basic Compression" shows you the science, technology and art of compression. From threshold through ratio to make-up gain, "An Introduction to Compression: Basic Compression" explains all of the foundation knowledge you need to know. Covers all the basic compressor controls, and compression techniques for dynamic range control and musical enhancement. If you don't know the material covered by "An Introduction to Compression: Basic Compression" then you simply don't know compression. An Introduction to Compression: Basic Compression
The Guy Barzily Microphone Test at Abbey Road Studio 2
The Guy Barzily Microphone Test at Abbey Road Studio 2
Hear ten PRO microphones on male vocal, recorded in studio master quality at Abbey Road Studio 2. The tests include the ultra-classic RCA 44BX 'Elvis' ribbon mic, the equally classic AKG C12 vintage tube, plus eight other mics you NEED to know. PLUS video recordings of all of the tests in this Multimedia Set™. Mic list: AEA A440, AEA R84, AKG C12, Beyerdynamic M160, Blue Baby Bottle, Bruel & Kjaer (DPA) 4011, Neumann U47, RCA 44BX, STC (Coles) 4038, Violet Design Flamingo The Guy Barzily Microphone Test at Abbey Road Studio 2
Understanding Audio Specifications
Understanding Audio Specifications
Baffled by audio specifications? Frequency response, signal-to-noise, distortion - what does it all mean? Do manufacturers always tell the whole truth about their products? And how can you tell from the specifications which equipment is best? Find the answers here in Understanding Audio Specifications! Understanding Audio Specifications