Facebook social media iconTwitter social media iconInstagram social media iconSubmit to Reddit

An Introduction to Equalization - A free download from Audio Masterclass

Equipping Your Home Recording Studio - A free download from Audio Masterclass

An Introduction to Compression: Basic Compression - A free download from Audio Masterclass

How loud should the bass instrument be?

Aux channels, aux tracks - What are they? What do they do?

If your microphone had no diaphragm, how much better could it sound?

Q: When should I normalize, and by how much?

How much difference does mastering really make? [with audio]

Good miking turns a cheap fiddle into a Stradivarius

How to set a graphic equalizer

A-Designs Audio Inc. Introduces EM-EQ2 Stereo Equalizer at NAMM 2011

Does microphone preamplifier gain increase the proximity effect?

"Day After Day (Xenochron)" by Pink Jimi Photon

It doesn't matter how good your compressor is, it ALWAYS increases the noise

Whenever you compress a signal, you always increase the noise level - however good your compressor is. Why is this? What can you do about it?

If you are using a compressor, then you are either compressing to reduce dynamic range (the difference between loud and quiet), or just because it sounds nice, which it often does.

It doesn't matter which compressor you are using, or how you are using it, it will always make the signal more noisy.

All signals contain a certain amount of noise. Noise is generated in natural sounds in the air, in electrical signals, and in analog-to-digital converters. There is no such thing as a noise-free signal.

When a signal is compressed, the high-level sections are lowered in level, bringing them closer to the quiet sections. But that makes the peak level of the signal less and its loudness is decreased.

To correct this, the 'gain make-up' control is used to restore the levels of the peaks to what they were. In doing so, the lower-level sections of the signal are also brought up in level.

And...

Mixed in with the signal is noise, and that is brought up in level too. During the quieter sections, the noise will be audible, and more audible than it was before.

There is one way of dealing with this if the quiet sections of the signal don't matter. That will be case if the quiet sections are actually gaps, such as the periods between lines and verses of the song.

Without further processing, it is quite possible that noise in these gaps will be loud enough to be audible after compression.

So the answer is to use a noise gate. Or edit out the gaps, making sure of course that there are no clicks at the beginnings and ends of the audio regions that will be created during this process.

It is also possible to use an expander, which is like a noise gate but a little more subtle and gentle.

It sometimes comes a surprise to someone who is just getting to grips with sound engineering that even expensive and well-designed compressors make the signal nosier. But it is an inevitable part of the compression process.

By David Mellor Sunday February 23, 2003