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An Introduction to Compression: Basic Compression - A free download from Audio Masterclass

Equipping Your Home Recording Studio - A free download from Audio Masterclass

An Introduction to Equalization - A free download from Audio Masterclass

Q: How should I set the compressor in a live stage show?

An interesting phase problem in drum overheads

YouTube Review - The Pulse: You won't find me there

Q: How can I edit a song so that it is shorter?

Q: How do I place my mic on the hi-hat?

Drawmer Launches Revised MX Pro Series Processors

Sequence THAT!

Responding to a client's requests for changes - a vital skill in audio

This woman nearly gave 'Yesterday' an electronic backing!

What is the easiest way to convert watts to decibels?

Latency - what is your music waiting for?

The reality of latency... it's just jargon for 'unwanted delay'.

It's a term used in computer music for unwanted delay. 'Unwanted delay' sounds like a bad thing, which it is, so manufacturers disguise it by using a word that few people understand.

Audio cables have no latency. Analog audio equipment - mixing consoles, tape recorders etc. - has no latency. Digital equipment does have latency. Computers have it by the bucketful.

Latency causes two main problems...

One is that there is a delay in the straight-through path between input and output. This would cause a problem if you were recording a vocal to an already-recorded backing track. The singer would hear himself or herself slightly delayed in the headphones. This is incredibly distracting.

The cure in latency-prone systems is to provide a special monitor output which takes the signal from BEFORE the point it enters the computer (or recorder). The disadvantage is that it is usually desirable to EQ, compress and add reverb to the monitor signal. EQ and compression are not possible, and the delay might adversely affect any reverb.

The other problem is that you might record one track, then subsequent overdubs don't play back exactly in sync. In this case, whole tracks must be shifted in time to compensate.

The best solution is to use a system whose latency is so small that it is hardly noticeable.

But have you seen the price of a full Pro Tools system lately?

By David Mellor Thursday January 1, 2004