A pair of idiots let loose in the studio - with VIDEO!
Why do mixing console preamps have high-pass filter buttons?
A $30,000 Neve Melbourn for $4000? Not quite...
Setting the gain control on your audio interface for recording
Who should be responsible for the fade at the end of a song - the producer, mix engineer or mastering engineer?
"Tonight by Georgina Moffat (excerpt)" by Atomic Studios London
Loudspeakers: Know your continuous from your program from your peak
Mixing: Where to start? - Just throw the faders up at random!?
Microphone preamplifiers: Do they really make a difference?
Why distortion techniques MUST be part of your recording vocabulary
The TV show Sgt. Pepper - It Was 40 Years Ago Today offered a fascinating insight into The Beatles, Abbey Road, and the recording practices of the 1960s. The Beatles' engineer Geoff Emerick recorded some of today's hot bands using original 1960s equipment.
It's interesting to hear other people sing Beatles songs. None of the Beatles were technically perfect singers, but their performances are so definitive they are difficult to emulate and impossible to better.
Bryan Adams however seemed determined to sing in his own style with no concessions to 'Beatleishness'.
There is no doubt that Adams has a great voice. During the course of his career he has fried his vocal chords to a charred cinder, giving him a very distinctive sound.
He also has the ability to hit his notes spot on, where many singers have the irritating habit of sliding up to them.
Take a listen to this...
Sounds good doesn't it?
But it's only a short extract from the song. If you had to listen to the whole thing you would become irritated by Adams' own habit.
Listen to the ends of the phrases. Every time he comes to the end of a phrase, the pitch drops. Not just some times, not for artistic effect, but every time. Yes it's a habit. A bad habit and very irritating.
Now this is just an observation, and Adams' sales figures clearly indicate that the public likes what he does.
But it's often worth considering whether there is any aspect of a vocal performance that detracts from the overall quality, and perhaps could quite easily be fixed, once pointed out.
If you get the chance, Sgt. Pepper - It Was 40 Years Ago Today is essential viewing for anyone interested in recording. Perhaps you could encourage the production company (Hart Davies Television) to release it on DVD!